My work explores the quietly unsettling and the unexpectedly beautiful — faceless figures, watchful animals, and landscapes that feel like they’re holding their breath.


These are the paintings that have been living on my easel lately — some finished, some still finding their way.
My other work tends toward the strange and the moody. These do not. The Very Good Rabbits are an unapologetic celebration of one of nature’s most agreeable creatures. Every studio needs a little lightness, and mine has bunnies.

I grew up knowing this light and he way it falls flat across a cornfield in October, the way a storm looks from three counties away. Midwestern Gothic is my love letter to a landscape that doesn’t ask to be romanticized but rewards you when you look closely enough. These watercolors are moody, wide open, and a little haunted.

These are portraits of presence — figures fully realized except for the one thing we’re trained to look for first. Without a face to anchor you, something else takes over. You start to feel them instead of read them.

Honestly, I am writing this as a way to hold myself accountable. Spring is the perfect moment to breathe new life into your creative space. Artists know how quickly a studio can overflow with half-squeezed paint tubes, towers of sketchbooks, and jars brimming with brushes. A thorough spring cleaning transforms your space, clears your mind,…